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Showing posts with label ART. Show all posts
Showing posts with label ART. Show all posts

Wednesday, January 2, 2013

ARTICLE - ARTIST CREATES LIFE-SIZE CHOCOLATE BABY HEADS

Sickly? Artist creates life-size chocolate baby heads


"The look of the heads is quite controversial but if everybody liked them then it wouldn't be as fun to make them," says Annabel.

"At first, I found them a little bit disturbing but the more of them you see and create, the more you just get used to them. I was asked to make them to shock people and that's what I've done so from that point of view, I've accomplished the mission.

"It's quite surprising really but I don't actually like chocolate that much and there had to be a lot of experimenting to get the heads exactly how I wanted them to be but now that I have I think they're great."

If you're unsure how you would actually get into the chocolate head, think of it as an Easter egg - a light tap should do it. Or, as Annabel helpfully suggests, whack it with a hammer.
Nice.

ART- DOLL PARTS FACE

Doll Parts Faces

Freya Jobbins via Co.Design
Australian artist Freya Jobbins takes doll parts and recycles them into awesome/terrifying new faces. It's a little reminiscent of Sid's toys in the first Toy Story. (This is actually one of the less scary ones; see more at Co.Design.)

Monday, November 19, 2012

ARTICLE - THE ARTISTRY OF NEW LIFE

November 19, 2012

The artistry of new life

Monday, November 19, 2012 — With five children, including 10-year-old twin girls, Angela Moore certainly knows a thing or two about life’s creations.

Holding each of her newborn children in her hands has been a blessing she’d never want to turn away, though she says with a giggle “I think I’m finished making those babies.”

Nowadays, she’s creating life in a different way. She makes miniature clay babies that are a work of art with their attention to detail and life-like features. From the little fingers and toes right up to the button noses and wrinkled features, all of that comes from a 3.5- to 4-inch model she’s been making since she began her work, more out of curiosity, back in 2006, not long after she had her last child.

“I was looking on eBay one day for these old Cabbage Patch Kids dolls I used to have as a kid,” Moore said.

“… As I was looking, I saw this sculpture on there and I was like ‘Wow, that’s crazy looking.’

“I started reading and I found out it was hand sculptured, and I was like ‘I want to really try to do that.’ I did some research to see what materials and tools I would need, so I ordered all that.”

Moore has dabbled in the arts before. She says she’s sold paintings she’s done and even has a beautiful hand-painted ironing board she made that sits in her living room, a creation as much for its beauty as its uniqueness.

She had never tried making little bundles of joy out of clay, paint and lots of love and detail. But when she began working on her first doll, using her newborn son as a model, the inspiration and talent free-flowed from her fingertips onto the block of clay.

“He was still little, so I’d look at his little wrinkles,” Moore said of her youngest son.

“When I made my first one, when I look back at it, it was so horrible. It looked like E.T. It was hideous.

“But as I progressed, the better they got. Now, people are like looking back at this and comparing it to this, how life-like they are.”

Moore first did the dolls with the idea of selling them on eBay. Before long, she got enough interest that she decided to start her own website, newbornbliss.webs.com. She was also starting to get a lot of personal requests from people wanting a clay doll that resembled their own baby.

Moore asks people to send several photos of their new baby. She’ll get information on the child and find out how the people interested in purchasing the finished product want the baby posed, whether they are making a face and any other small details.

From there, she estimates it takes about six hours to make the head and face then the body. After contouring all the details, she’ll place the molded product into her home oven to bake it. After that, she applies special paint for the hair, eyes and skin color. Then that goes back into the oven to make the completed project.

She purchases her clay online and can typically get 5-6 small babies made out of a $20 block of clay. She’s shipped her finished product through donations from the people purchasing to places such as Japan, Ireland and Australia, in addition to the United States.

“When I first started, it was because I was interested in it … I can do this,” Moore said.

“When I say I can do something, I think I can do it and I usually do it.

“I feel I’ve come a long way. Some of the sculptures I’ve made I look at and don’t like and I’ll just squish them up and start over. But I enjoy knowing it touches other people when they receive it. That’s why I do it.”

She also holds a special place in her heart for people who want a miniature baby made after losing a child, usually during pregnancy or childbirth. If someone contacts her with that kind of request, she says she puts them in front of the line.

Getting requests like that used to really break her heart, but she says she’s gotten used to it, somewhat. Still, she places the goal of finishing that project high on her list to help those grieving.

“I’ve had a lot of people that have come to me that’s lost a child,” Moore said.

“Most of my work, maybe 75 percent of it, is memorial sculptures, which is from pictures of a child.

“Sometimes you don’t even have a picture … it’s a pregnancy they lost. So I’ll make a sculpture for them, a keepsake.

“I’ll always put the people first that’s lost a child. … When somebody’s lost a baby, that’s something I just go ahead and do. It’s not even about the donation, it’s about what it does for them.

"It’s something I can do that a lot of people can’t do that can help them. I’ve received letters, emails, thanking me. That’s why I keep doing it, because of how it touches them.”

But the work she does in making these precious little treasures doesn’t come easily. She has a full-time job and also has the ups-and-downs that come with raising a family, like homework, cooking and cleaning.

Moore said she has maybe 14-15 people currently on a waiting list and will try to be honest with people about her time constraints and how she may not be able to fill every order. But her work certainly doesn't go unnoticed to her family and the people who make the purchases. In fact, she says she’s even had several local businesses wanting to gauge her interest in selling the completed works in their store.

So, in more ways than one, a labor of love has developed from what started as a simple search on eBay.

“That little search on eBay and seeing that inspired me to … ‘Hey, I can do this.’ ”

Tuesday, April 17, 2012

NEWS - SURREALIST ART EXHIBIT UTILIZES DOLLS, ANIMATION, TO EXPLORE FINDING NEW LIFE THROUGH DEATH

Surrealist Art Exhibition Utilizes Dolls, Animation, to Explore Finding New Life Through Death

Portland, OR, contemporary artists Diana Crites and Erin Robinson Grant present a conceptual exploration of rebirth through death in original oil paintings, illustration, sculpture, and video at Pearl District art gallery, Gallery 114. The multi-discipline exhibition runs June 7 through June 30, 2012, with First Thursday opening festivities on June 7.

Portland, OR, April 17, 2012 --(PR.com)-- Gallery 114 is pleased to present a provocative new exhibition showcasing the work of contemporary Northwest artists, Diana Crites and Erin Robinson Grant. "Consumption," a surreal exploration of rebirth through death, utilizes dolls, animation, and more traditional mediums to convey the inescapable nature of destruction and the challenge of rebuilding. Consumption will be on display at Portland’s Gallery 114 from June 7 through June 30, 2012, with opening festivities on Thursday, June 7.

Exhibiting artists Diana Crites and Erin Robinson Grant share an appreciation for many of life’s darker inevitabilities. The themes of self-destruction, metamorphosis, and death figure largely through their independent work, so exhibiting together under a common theme was intuitive. And it proved inspirational. In Consumption, their art continually intersects -- even uniting in projected animations-- before reaching different, and sometimes startling, conclusions.

Employing many vehicles – including dolls, video installation, oil painting and illustration – the artists attempt to communicate the multi-faceted nature of consumption. Through conceptual narratives of memory, desire, and decay, a common thread is formed: that although consumption is inherently destructive, it is also an inevitable step towards progression and rebirth.

Regarding the theme of consumption, Erin Robinson Grant states, “It conveys decay, destruction, and a necessary use of a limited material. No other word so beautifully captures the constant struggle of humanity to survive in both physical and philosophical terms.” Adds Diana Crites, “Consumption, for me, is about an unwitting trip to places you don’t want to go; and, having gotten irrevocably lost, the struggle to get somewhere new. In the end, sometimes you have to waste away to find yourself.”

Consumption runs from June 7 through June 30, 2012 at Gallery 114, in Portland’s Pearl District. Please join them on Thursday, June 7, from 6-9 pm for the exhibition opening and artist reception. Gallery 114 participates in “First Thursday” festivities, previewing art exhibitions showing at downtown art galleries. In conjunction with Consumption, Gallery 114 will present, “A Theory of Morbid Attraction: An Artist Talk” by Erin Robinson Grant on Saturday, June 16, from 1-2 pm in the gallery. Gallery 114 is located at 1100 NW Glisan, Portland, Oregon 97209. Admission is free and open to the public.

About Gallery 114
Gallery 114 is the only established gallery in Portland that has persisted in allowing its artists absolute artistic freedom throughout its 20-year history. Founded in 1990 as an artist collective, Gallery 114 and its members have consistently produced a diversity of artwork.

Images available upon request.

Tuesday, October 11, 2011

ARTICLE- COLBY KATZ "FOREVER BABIES' MAKES SKIN CRAWL AT CAROL JAZZAR CONTEMPORARY ART

Colby Katz's "Forever Babies" Makes Skin Crawl at Carol Jazzar Contemporary Art

Katz's pictures are of lifeless dolls, fawned over and pampered by heartbroken parents. They are not the classical memento mori photos popular during the Victorian era when child mortality rates were high and when families had postmortem snaps taken of their dead loved ones as keepsakes.

Katz discovered these types of dolls, called "reborn dolls," in a newspaper several years ago. The article mentioned that some collectors coveted the handpainted dolls that appeared lifelike and took months to create. The figures are painstakingly painted to achieve the right skin tones, and each strand of hair is inserted individually.


While conducting research on the artists who make these dolls, Katz learned that some women were ordering lifelike effigies of their children who had passed away. Katz visited first the artists' studios and later the families of the "forever babies" in their homes in South Dakota, Texas, and Florida, where she took the photographs on exhibit.

To make the doll, the artists used pictures of the living babies. Some of the artists, Katz informs, keep scrapbooks or bulletin boards in their studios with close-up pictures of fingernails, veining, and feet to help them achieve the finest of details, which sometimes cannot be seen in the photo a mom sends in.


Katz also found out that some grieving parents have the dolls weighted to replicate the exact pounds the real child weighed at birth. Some have a sound button inserted into the dolls to mimic a beating heart, while others request that their child's ashes be sewn inside the doll.

The mother of a healthy toddler, Katz did not alter her portraits in any way. Rather, she entered the homes of the families unobtrusively to shoot her pictures with an unflinching gaze.


Take a close look at Katz's portrait of Aubrey and you'll notice not only the pacifier and uncomfortable grimace but also a hip defect.

Her arresting pictures of these morbid moppets reveal the artists' keen eye for subject matter outside of the mainstream and one of the more uncommon grief rituals helping bereft families heal. After their owners' complete their grieving process, some of these dolls end up on eBay, where collectors highly covet them.

Katz's photos are a revelation that will undoubtedly stick in your head long after you exit the space. It's a show not to be missed.

See "Forever Babies" at Carol Jazzar Contemporary Art (158 NW 91st St., Miami) through October 30. Call 305-490-6906 or visit cjazzart.com 
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this was an idea i had for the ART GONE WILD Art Show here in Olahoma, except id do Primates (gorilla, Chimp, and Orangutan) and have them for sale...or donates to the show for proceeds to go towards the zoo.)


ive also thought of showing different versions of these  reborns, for instance a vampire, warewolf, zombie, etc  during some horror-fest someplace and have them for sale.


as well as have a few realistic babies done and dressed in train overalls, with an engineer hat, holding a train toy for the DOLL & TRAIN Show here in Oklahoma City, OK


this IS an art...
should be respected as such.


MICHELLE

Wednesday, July 20, 2011

IT HAS COME FULL CIRCLE-KOKO (The Gorilla) 'MOTHERS' HER REBORN APE DOLL


Jul 20, 2011

Koko Continues to "Mother" her Ape Baby Doll

 

Koko doesn't usually bond this closely to her "dolls" but she's been spending a lot of time with this ultra-realistic one lately, giving it a lot of love and carrying it in much the same way as most gorilla mom's carry their newborns. This wil be good practice, should we succeed in helping her adopt — a wish she expresses often in sign language.
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i mentioned in one of my 1st blogs on here, that i had painted a chimpanzee.

theres a long story to that painting, but it all started when my mother handed me a book about KOKO and her kitten.
that one book, changed me. set me for life, with an inner love for primates.
so much so, when i had the chance to paint my 1st, and currently only, painting, i wanted it to be a primate.

so much time has passed, i dont know if i even posses that raw talent i held as a new 18 year old, anymore.
so, my love for both painting and  primates exteneded itself to a 3-D canvas, on reborn dolls.

i love them, but i especially LOVE the monkey ones best. and have even considered just doing them excelusivly.

and today as a feed on my Facebook, i see an image of KOKO, the very being that started my love for Primates, holding a custom made REBORN  'ape' herself.

small world.

MICHELLE